īetween 19, the porteño youth was introduced to rock 'n' roll music through films like Blackboard Jungle, Rock Around the Clock, Don't Knock the Rock and Rock, Rock Rock becoming acquainted with American artists such as Bill Haley & His Comets, Little Richard, Jerry Lee Lewis and Elvis Presley. Through the innovation of making Spanish-language covers of American rock 'n' roll hits, the band was an important influence in the development of an Argentine scene. Mexican teen band Los Teen Tops performing in Buenos Aires in 1962. It was also performed by Nebbia joined by several artists in 2010, as part of the Argentina Bicentennial celebrations. In commemoration of the 40th anniversary of the single's release in 2007, Los Gatos reunited and underwent a Latin American tour. In 2002, it was listed as the greatest song in the history of Argentine rock by MTV and the Argentine edition of Rolling Stone. 'La balsa' continues to be acclaimed in retrospective, being considered one of the most important and influential releases of Spanish-language rock music. The success of the single and the stardom of Los Gatos was also followed by a complex debate on 'commercial music' and the negative implications that the creation of a mass market could have on the authenticity of rock acts. The polemic was revived with the 1993 film Tango Feroz, which made Tanguito an icon but was criticized for its historical inaccuracies. The 1973 release of Tango, Tanguito's only studio album, established a myth which suggested that he was the most important author behind the song, and that Nebbia had taken advantage of his fragile state of mind. The song has also been the subject of controversy, which prompted Nebbia to not perform it live until 2001. The song also became an anthem for the burgeoning Argentine hippie movement, which grew in size and influenced this first stage of rock nacional. The popularity of 'La balsa' turned Argentine rock into a widespread youth culture phenomenon, and was followed by the appearance of the first magazines, independent record labels and music festivals of the movement. Its release is generally considered to be the origin of Argentine rock, paving the way for bands such as Almendra and Manal-along with Los Gatos, these bands are considered the founders of the style. The success of 'La balsa' was an unprecedented feat for Spanish-language rock ( rock en español), as it established its commercial viability at a time when the use of Spanish lyrics was frowned upon. Its sound-and commercial impact-reflected the loss of popularity of the nueva ola phenomenon and American rock 'n' roll, which began to be perceived as trivial. It is a melodic, beat-influenced song, with prominent use of a Farfisa electronic organ and bossa nova elements attributed to Nebbia.

Released alongside the B-side 'Ayer nomás'-written by Pipo Lernoud and Moris-'La balsa' became a major hit in Argentina and various Latin American countries, selling around 250,000 copies. At the time, Argentina was under a military dictatorship led by Juan Carlos Onganía, which regularly imprisoned and persecuted these young bohemians. 'La balsa' was written by Litto Nebbia-lead vocalist of the band-and Tanguito (credited as Ramsés) on May 2, 1967, in the men's toilet of La Perla de Once, another bar frequented by the group. The underground had its center in La Cueva, Plaza Francia and the Torcuato di Tella Institute, and identified with British Invasion music and the sexual revolution. During the mid-to-late 1960s, Buenos Aires was experiencing a cultural blossoming characterized by innovations in modern art, literature and cinema, largely driven by a burgeoning youth subculture that adhered to the countercultural phenomenon of the decade. Formed in 1967 after the disbandment of Los Gatos Salvajes, Los Gatos were the house band of the bar La Cueva, which became a popular meeting place for rock enthusiasts and the birthplace of Argentine rock-known locally as rock nacional (Spanish for 'national rock'). ' La balsa' ( pronounced Spanish for 'the raft') is the debut single by the Argentine band Los Gatos, released on Jon Vik, a subsidiary of RCA Victor.

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